Functions Dolores Del Rio, born in Mexico, was a popular motion picture actress in the 1920s and 1930s. The beautiful Mexican actress Dolores del Rio starred in another silent film version in 1928. A family secret threatens their happiness. It was not used in the 1936 version. This was the first United Artists film with a synchronized score and sound effect, but no dialogue, and so was not a talking picture. Ramona (1910) American B&W : One reel / 995 feet Directed by D.W. Griffith. He died six years later. Presented at SFSFF 2014 with live music by Mont Alto Motion Picture Orchestra, Photos by Pamela Gentile and Tommy Lau. Journey into Fear (1942) was her swan song to both her lover Orson Welles (the film’s producer and uncredited director) and Hollywood. Del Río’s relationship with Carewe became strained as the director suggested they were romantically involved, a deception the popular press helped to spread. Ramona has never been out of print and was adapted for the screen four times: a 1910 short directed by D.W. Griffith with Mary Pickford in the title role; a 1916 feature film (now lost) directed by Donald Crisp and starring Adda Gleason; a 1936 feature directed by Henry King with Loretta Young; and the 1928 version directed by Edwin Carewe, starring Dolores del Río. Carewe met del Río at a party in Mexico City and induced her and her husband, an aspiring screenwriter, to come to Hollywood. When her 1881 nonfiction work A Century of Dishonor and a later government report on the Mission Indians of Southern California failed to effect change, she decided to mobilize public opinion with a novel to detail the prejudice, displacement, and outright murder Native Americans suffered at the hands of intolerant whites and Mexican Americans. ", An article published by UCLA revealed that the 1928 film is believed to be the most authentic of the five film adaptations of Ramona since the director Edwin Carewe was part Chickasaw and Dolores del Río was raised in Mexico. Instead, it became a best-seller on the strength of its central romance and picturesque rendering of Southern California. Other silents of note for Dolores were “Ramona” (1928), and “Evangeline” (1929). by D. W. Griffith in 1910. Ramona suffers racism and prejudice in her community, and when she finds out that she is half Native, she chooses to identify as a Native American instead of a Mexican American so that she can marry Alessandro, who is a Native as well. Ramona is a 1928 American silent drama film directed by Edwin Carewe. Del Río was the antithesis of Hollywood glamour when she first arrived in the United States, beautiful, but old-fashioned in her modest dress and appearance. , Helen Hunt Jackson and Edwin Carewe shared a goal of exposing the mistreatment of the Native Americans at the hands of the U.S. Federal Government through the means of Ramona. The hardships and cruelty piled on Ramona arouse pity in the audience. Under the auspices of Edwin Carewe Productions and Inspiration Pictures, Carewe and his screenwriter brother Finis Fox developed properties for del Río to capitalize on her beauty and exoticism, among them an adaptation of Leo Tolstoy’s Resurrection (1927), in which she played a Russian peasant girl. The only available copy was given to the Library of Congress to replicate and then send back to the Czech Republic. Filmed April 1 and 2, 1910, D.W. Griffith’s adaptation of Helen Hunt Jackson’s novel, “Ramona,” is the earliest film known to have been made in the Santa Clara River Valley. We are proud to present to all silent film lovers our multiple award-winning documentary! Ramona (1910) A Silent Film Review One of the first brand name novel-to-screen adaptations and an early California production, this was one of the most expensive films ever made when released in 1910. Del Río grew up in privileged circumstances in Mexico City and married Jaime Martinez del Río, a British-educated lawyer from a wealthy Mexican family. He not only directed her in many of her early films but also acted as her manager, developing her on-screen persona and guiding her toward stardom. Together we contrive characterizations exactly suited to her abilities and her limitations.”. “He told me I was the female Valentino,” del Río recalled in a 1981 interview, a label that was picked up by the entertainment press of her time. Released in 1910, the silent film was directed by D.W. Griffith, and stars Mary Pickford as Ramona and Henry B. Walthall as Alessandro. 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